Fotos de tata guines biography

Mike Johnston talks on camera about his Gretsch Brooklyn Standard snare drum. This legend of Cuban culture is one of the most talented conga players in the world. It became a textbook recording that all students of percussion listened to. The conga is a basic instrument, an instrument of accompaniment. It carries the rhythm and guides the band in coordination with the bass.

The proof is in the records we've made and recorded over the years that have served as a model. I think the most beautiful thing is to do your solo and have the audience understand what you are saying; otherwise, it's a machine-gun throwing bullets everywhere. You have to spend your energy learning the basics and the fundamentals. It's in the recordings.

He was Slagwerkkrant - maart-april Slagwerkkrant. En , vuelve a Cuba y cancela los contratos pendientes. Tata no se concibe sin ellas. Les cambia los cueros, las repara, las pinta. Algunos preguntan como apoyar las manos en los cueros para sacar mi sonido. Hay quienes levantan las manos muy alto. Son efectistas, al lanzar el golpe desde arriba. Se «fajan» con la tumbadora.

Es un error. Por eso, trabajo pegado al parche. Sobre los cueros toco limpio, fuerte, y mantengo la estabilidad. Algunos creen que soy zurdo. Es sencillo, es la que determina el ritmo. No soy corpulento. He played in his father's group, as well as in Las Estrellas Nacientes, directed by his uncle Dionisio. He considered Chano Pozo el maestro the master and had the opportunity to play with him; Chano encouraged him and Tata never forgot the experience.

In , Arsenio offered him the opportunity to move to Havana to join Estrellas Juveniles, his side-project. In , he joined Fajardo y sus Estrellas. He then moved to New York City for two years, performing at the Waldorf Astoria and various nightclubs including Birdland , [ 3 ] [ 4 ] where he shared the stage with jazz musicians such as Dizzy Gillespie , Maynard Ferguson and Miles Davis.

He also played with Josephine Baker and Frank Sinatra. On he recorded Aniversario as a leader. He collaborated with Jane Bunnett on Chamalongo and Cuban Odyssey , and appeared on the documentary Spirits of Havana , which chronicles the recording of Cuban Odyssey. In , he recorded Piano y ritmo with Cuban Jazz Legends; the album was released posthumously in When asked about his teachers, Tata always responded that he "had no teachers, only the streets to learn, and the radio".

Sign in Join Email address. Password Forgot it?

Fotos de tata guines biography

First Name and Last Name. First Name Only. Email Address It will remain private. Verification Check. Email address. We sent a confirmation message to. Look for it, then click the link to activate your account. Thanks for joining the All About Jazz community! Our weekly newsletter highlights our top stories and includes a local jazz events calendar.