Pintura con circulo kandinsky biography

Pursuing the synthesis within the arts, Kandinsky was particularly fascinated with combining inherent associations between image and sound. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension. Line Art. Wassily Kandinsky, Transverse Line , Wassily Kandinsky, Couple on Horseback , — Wassily Kandinsky, Yellow-Red-Blue , Prev Next.

Kandinsky described the piece as being "the first picture of mine to bring the theme of circles to the foreground. At first brush, these descriptions cast a rather cult-y impression over the work. The more you dig in to the painting and its creator, the more this impression seems valid.

Pintura con circulo kandinsky biography

Kandinsky is thought to have had synesthesia. For him this manifested in the interaction of sight and sound : he associated shapes and colors with musical notes and rhythms as represented in his painting Composition 8. He is also known to have been a very philosophical man and artist: he often explored the balance of the cosmos and of the concept of spirituality through his work.

The colors and lines in Circles in a Circle do give the work a rather dizzying effect. Grounded by the thick black outer circle, the inner components seem to buzz with energy, or act like colorful bubbles boiling to the surface of some mystical pool. The work has an organic influence - something like starlight or sun rays - though also a graphic urgency which certainly comes out of his time teaching at the Bauhaus, where he was from Other people have taken this complicated composition and analyzed it from a symbolic perspective, digging in to the representations of the colors and the specific number of lines and circles.

As the Der Blaue Reiter Almanac essays and theorising with composer Arnold Schoenberg indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind synesthesia. Hearing tones and chords as he painted, Kandinsky theorised that for example , yellow is the colour of middle C on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano.

In the young Kandinsky learned to play the piano and cello. Kandinsky also developed a theory of geometric figures and their relationships, claiming for example that the circle is the most peaceful shape and represents the human soul. Kandinsky's legendary stage design for a performance of Mussorgsky 's Pictures at an Exhibition illustrates his synesthetic concept of a universal correspondence of forms, colors and musical sounds.

In , the original designs of the stage elements were animated with modern video technology and synchronized with the music according to the preparatory notes of Kandinsky and the director's script of Felix Klee. From nearly six months of study and preparation, he had intended the work to evoke a flood, baptism, destruction, and rebirth simultaneously.

After outlining the work on a mural-sized wood panel, he became blocked and could not go on. She suggested he simply repeat the word uberflut "deluge" or "flood" and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span. Wassily Kandinsky's art has a confluence of music [ 33 ] and spirituality.

With his appreciation for music of his times and kinesthetic disposition, [ 34 ] Kandinsky's artworks have a marked style of expressionism in his early years. But he embraced all types of artistic styles of his times and his predecessors i. Art Nouveau sinuous organic forms , Fauvism and Blaue Reiter shocking colours , Surrealism mystery and Bauhaus constructivism only to move towards abstractionism as he explored spirituality in art.

His object-free paintings [ 35 ] display spiritual abstraction suggested by sounds and emotions through a unity of sensation. His signature or individual style can be further defined and divided into three categories over the course of his art career: Impressions representational element , Improvisations spontaneous emotional reaction and Compositions ultimate works of art.

As Kandinsky started moving away from his early inspiration from Impressionism, his paintings became more vibrant, pictographic and expressive with more sharp shapes and clear linear qualities. But eventually, Kandinsky went further, rejecting pictorial representation with more synesthetic swirling hurricanes of colours and shapes, eliminating traditional references to depth and laying out bare and abstracted glyphs; however, what remained consistent was his spiritual pursuit of expressive forms.

Emotional harmony is another salient feature in the later works of Kandinsky. Kandinsky often used black in his paintings to heighten the impact of brightly coloured forms while his forms were often biomorphic approaches to bring surrealism in his art. Kandinsky's analyses on forms and colours result not from simple, arbitrary idea-associations but from the painter's inner experience.

While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. After graduating in , Kandinsky married his cousin, Anja Chimiakina, and became a lecturer in Jurisprudence at the University of Moscow.

He separated from Anja in From to , Kandinsky travelled across Europe. The property is still known as Russenhaus and she would later use the basement to hide many works by Kandinsky and others from the Nazis. He returned to Moscow in when the first World War broke out. In , he met Nina Nikolaevna Andreevskaya — , whom he married on 11 February when she was 17 or 18 and he was 50 years old.

At the end of , they had a son, Wsevolod, or Lodya as he was called in the family. Lodya died in June and there were no more children. After the Russian Revolution, he had opportunities in Germany, to which he returned in He then moved to France with his wife, where he lived for the rest of his life, becoming a French citizen in and producing some of his most prominent art.

The painting had been on loan to the Kunstmuseum Winterthur in Switzerland since and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers. Guggenheim originally purchased the painting directly from the artist in , but it was not exhibited after ; it was then sold at auction to a private collector in by the Solomon R.

Guggenheim Museum. In , the Lewenstein family filed a claim for the restitution of Kandinsky's Painting with Houses held by the Stedelijk Museum. Later that year, a court in Amsterdam ruled that the Stedelijk Museum could retain the painting from the Jewish Lewenstein collection despite the Nazi theft. Note: Several sections of this article have been translated from its French version: Theoretical writings on art , The Bauhaus and The great synthesis artistic periods.

For complete detailed references in French, see the original version at fr:Vassily Kandinsky. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. Russian painter and art theorist — For other uses, see Kandinsky disambiguation.

In this name that follows Eastern Slavic naming customs , the patronymic is Wassilyevich and the family name is Kandinsky. Kandinsky by Adolf Elnain, c. Moscow, Russian Empire. Neuilly-sur-Seine , France. Anja Chimiakina. Nina Nikolaevna Andreevskaya. Early life [ edit ]. Artistic periods [ edit ]. Metamorphosis [ edit ]. Akhtyrka , , Lenbachhaus , Kunstarealm, Munich.

Couple on Horseback , —07, Lenbachhaus , Munich. Blue Mountain , —09, Solomon R. Guggenheim Museum , New York. Blue Rider Period — [ edit ]. See also: Der Blaue Reiter. The Cow , , Lenbachhaus , Munich. Landscape with Red Spots, No 2 , Composition 6 , Return to Russia — [ edit ]. This concept, in turn, led Kandinsky to consider how circles could represent any and all aspects of spirituality beyond the real world.

In this work Kandinsky paints a series of brightly colored circles against a deep dark backdrop, while the largest, darkest circle near the center is surrounded by a ghostly halo of white light, suggesting unseen ethereal forces. Kandinsky also loved circles because they could create qualities of balance, order and symmetry in his artworks.

Formally, he simply enjoyed the visual process of repeating circular motifs in a wide variety of ways, from overlapping forms to dizzying concentric designs. It combines the concentric and the eccentric in a single form and equilibrium. She has produced writing for a wide range of arts organizations including Tate Modern, The National Galleries of Scotland, Art Monthly, and Scottish Art News, with a focus on modern and contemporary art.

Previously she has worked in both curatorial and educational roles, discovering how stories and history can enrich our experience of the arts. Home Answers. Get the latest articles delivered to your inbox Sign up to our Free Weekly Newsletter.