Edward william cooke biography
He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects in special in sailing ships and published his "Shipping and Craft" — a series of accomplished engravings — when he was 18, in He benefited from the advice of many of his father's associates, notably Clarkson Stanfield whose principal marine follower he became and David Roberts.
Cooke began painting in oils in , took formal lessons from James Stark in and first exhibited at the Royal Academy and British Institution in , by which time his style was essentially formed.
Edward william cooke biography
Remarkably of his few drawings of ships, boats, and coastal views appear in the childhood albums of Edward William Cooke since age of four. Many of his earlier drawings are seemed to favor Dutch pastoral landscapes and animal subjects. He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to the Netherlands in He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters , resulting in highly successful paintings.
Cooke was "particularly attracted by the Isle of Wight , and on his formative visit of he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties. He also had serious natural history and geological interests, being a Fellow of the Linnean Society , Fellow of the Geological Society and Fellow of the Zoological Society , and of the Society of Antiquaries.
In the s he helped his friend, the horticulturist, James Bateman fit out and design the gardens at Biddulph Grange in Staffordshire , in particular the orchids and rhododendrons. His geological interests in particular led to his election as Fellow of the Royal Society in and he became a Royal Academician the following year. Is Edward your ancestor?
Please don't go away! Login to collaborate or comment , or contact the profile manager, or ask our community of genealogists a question. Sponsored Search by Ancestry. Search Records. Have you taken a test? He emulated nature and the works of Richard Parkes Bonington and began exhibiting at the Royal Academy and the British Institution from On 13th June Cooke married Jane Loddiges born , died , the younger daughter of nurseryman George Loddiges born , died whose drawings of the Loddiges' nursery he had earlier assisted his father to engrave.
Together they had three children: a daughter who died in infancy and two sons. He travelled abroad frequently, touring, according to John Munday, France from , the Netherlands from , western Italy from to , Venice from , Sweden and Denmark in , Spain in , and Egypt in As a gardener, Cooke was a collector of ferns and used his artistic vision to group plants.
In March the first four plates were published of his Fifty Plates of Shipping and Craft, a series of beautifully drawn and engraved studies of fishing boats and barges, beach scenes and harbours. He began painting in oils in , took formal lessons from James Stark in and first exhibited at the Royal Academy and British Institution in , by which time his style was essentially formed.
Cooke and several of his father's other pupils moved in the circle of Richard Parkes Bonington, whose watercolour style Cooke emulated.